The numbered tabs for selecting images (e.g. The side bar can be collapsed to make more space available. The familiar row of tabs at the top of the window have been moved to a vertical panel at the left side, to be more consistent with current user interface concepts. PTGui 11 uses collapsible panels to make the tools available where you need them but without occupying precious screen real estate. The most obvious change is a new modern, dark themed user interface: So we've taken a step back and rebuilt much of PTGui's foundation, and PTGui 11 is the result! So what's new? And of course user interface design has changed a lot over the years and PTGui was starting to look dated. Some of the original design decisions were hampering the implementation of certain features.
Ptgui pro 11.13 software#
Over the past 17 years software development technologies have evolved significantly. But we've found that more and more ideas remained on the shelf because they would require major changes to the inner workings of PTGui. Why did it take so long? Over the years we've gathered many ideas for improvements and new functionalities in PTGui and many of those features have been implemented over time. The main section of the stage originally had a slower tempo of the following in the first version: 250 tiles/min, 250 tiles/min, 255 tiles/min.After more than three years of preparation we're proud to release PTGui 11!.Despite so, the maximum set of consecutive single tiles is 10, so it is not as easy to be overwhelmed by them. Nevertheless, the same cannot be said for the B-crown and C-crown due to the single tiles being present. The A-crown is easy because of holding tiles. While there is no difficulty earning the first star, special attention must be employed for the rest of the music, since the single tiles can pressure the player as the stage speeds up. However, the abundance of holding tiles reduces the difficulty significantly.
The tiles per second is higher than the previous two stages. Once again, the timing of the taps mainly follow the main melody on the right hand, where a 32nd note is a single tile, a sixteenth note is a holding tile worth 3 points, and any note longer is worth more. The 2nd star is earned after 2 measures finally, the music ends after measure 24 is played, and stops at a tonic triad, where the final star is awarded. Afterwards, the 1st star is earned, and then the music jumps to measure 19, playing the scale-like passage, which is arguably the most memorable part of the canon. During that part, the section contains mostly holding tiles varying in different length. The music starts at measure 9 of the original score and plays for 4 measures. Measures 19 to 22, the best-known passage throughout the composition.
Due to simplification, it no longer retains the original polyphonic features, while the chords and leading melody remains. While it is a true canon for three individual parts, the added ground bass, along with the variation techniques in the upper parts, makes it contain the elements of a Chaconne.Īs a piano transcription, the parts are simplified and shortened. The ground bass repeats the same two-bar line at the bottom (a technique called ostinato) throughout the whole composition. The original instrumentation is 3 violins and a violoncello, with an optional harpsichord.Ī canon is a contrapuntal technique in composition that stacks the original melody with the same melody after a slight duration, ranging from a few beats to a few measures. Since then, it has been transcribed and performed in many different renditions. Even still, it did not gain popularity until decades later, in 1968, a recording by Jean-François Paillard chamber orchestra was made. However, the Canon was not published until 1919 by a scholar Gustav Beckmann. The Gigue, on the other hand, was rarely played. However, a lot of his chamber music did not survive Canon and Gigue for 3 violins and basso continuo, also known as Canon and Gigue in D, is one of the few ones that did. Johann Pachelbel is known for his organ and other keyboard music, today also renowned for his achivements in chamber music and church music.
0 kommentar(er)
